Sculptures of crows are displayed in translucent blue blocks, arranged to face each other. Reminiscent of Ann Wolff: The Art of Living, the lighting casts shadows, enhancing the textured details of the birds and creating a reflective, surreal atmosphere.
Experience / Exhibitions / Ann Wolff: The Art of Living

Ann Wolff: The Art of Living

Discover the brilliance of internationally acclaimed Swedish artist Ann Wolff in a new exhibition, Ann Wolff: The Art of Living, at the American Swedish Institute. Curated in partnership with the Ann Wolff Foundation and the artist herself, the exhibition showcases breathtaking artworks by Wolff cleverly displayed throughout the historic Turnblad Mansion. 

Wolff’s work meets local artists Nancy Randall and Laurie Van Wieren, engaging in dialogue with one another within the historic Turnblad Mansion in this significant exhibition series, Ann Wolff: The Art of Living.

With over five decades on the international scene, Wolff (b. 1937) has earned recognition as one of the world’s foremost artists working with glass, known for her distinctive sculptural creations. Her deeply personal approach to her life-long artistry extends beyond glass to metal, concrete, drawing and photography exploring themes of identity, self-expression, and the art of living. 


“Art is coming from my inside. I am working as its servant—I let it out not thinking too much—using my hands and gesture—choosing a material to put it on place. I do not use the art. It is using me.” — Ann Wolff 


From large glass and concrete sculptures to delicate nickel silver castings, this exhibition explores Wolff’s multifaceted artistic evolution from the early 2000s to the present. This is the largest presentation of artworks by Wolff outside of Sweden, featuring works on loan from private collections, including the Minnesota based Cafesjian Art Trust. 

A sculpture inspired by Ann Wolff: The Art of Living, featuring two large, rectangular pieces of translucent green glass positioned parallel to each other. Eight steps are carved into the interior, creating a staircase effect. A black metal support holds the glass in place.
A sculptural artwork reminiscent of Ann Wolffs The Art of Living, depicting a serene face in profile, partially visible through fractured, vertical slabs. The piece has a smooth texture and is set against a neutral gray background.
A close-up of a metallic sculpture of feet on a white background reflects Ann Wolff: The Art of Living. The detailed textures show wrinkles and contours that mimic real human skin, giving the piece an astonishingly lifelike quality.
A minimalist sculpture of a house, reminiscent of Ann Wolff: The Art of Living, sits on a pedestal. Its open interior and steps invite exploration, silhouetted against a bright white background that accentuates its angular shapes and smooth texture.
A translucent resin sculpture by Ann Wolff depicts two abstract human figures facing away from each other. Positioned on opposite sides of a thick amber-colored block, the piece embodies The Art of Living, capturing themes of separation and isolation.
A black crow sculpture stands on a table, facing a blue translucent glass block with an embedded silver crow figure inside. Shadows and reflections add depth, reminiscent of Ann Wolff: The Art of Living, creating an intriguing visual effect.
A dark, abstract sculpture inspired by Ann Wolff: The Art of Living depicts a seated figure embracing a reflective, oval object. Its rough texture contrasts with the shiny, smooth piece it holds, embodying the dynamic interplay between life’s complexities and its serene moments.
A reflective, smooth metallic sculpture with a rough, jagged interior surface, resembling a partially cracked shell, echoes the essence of Ann Wolff: The Art of Living against a plain white background.
Close-up of a sculptural piece, reminiscent of Ann Wolff: The Art of Living, with overlapping, textured feet or skin-like surfaces. The metallic material boasts a grayish-silver finish, accentuating detailed wrinkles and folds.
Abstract glass sculpture featuring a mix of clear and brown hues, reminiscent of Ann Wolffs The Art of Living. The piece boasts a textured, layered look with various shapes and contours, highlighted by a prominent oval form against a neutral light gray background.
A sculpture inspired by Ann Wolff: The Art of Living, depicting a small, dark house with a smooth, abstract human face embedded in one side. The textured exterior contrasts with the softly illuminated interior, elegantly highlighting the serene visage.
A sculpture by Ann Wolff showcases a bird half-emerging from a shiny, metallic oval structure. Displayed on a gray pedestal and set against a simple white background, the birds darker, textured material contrasts beautifully with the smooth metal, embodying The Art of Living.
Sculpture of two realistic feet and lower calves by Ann Wolff with a rough, textured surface. The tops are cut off, revealing flat, gray interiors with cracks. Positioned side by side on a white background—an embodiment of The Art of Living.

Photo credit: Patrick Siegrist

Meet The Local Artists

Nancy Randall is a visual artist whose seven-decade career spans many mediums. Since the 1950s, her work has been exhibited in galleries, including the Walker Art Center, Weisman Art Museum, and the Smithsonian. Through her art, Nancy explores themes of transformation, including storied images of birth, evolution, epiphany, aging, death, and rebirth.  

Her latest series, In the Bardo, created at age 95, will be on display for the first time. This series reflects the space Nancy feels that humans currently occupy—a space between death and rebirth. Each piece depicts transitional landscapes populated by creatures in motion, their ambiguous surroundings heightening the mystery of their journey. 

Alongside In the Bardo, visitors can view Footprints of the Voyage, a series of nine lithographs created by Nancy in 2002 and preserved in the ASI Collection. This series chronicles a circular journey from New Mexico to the high plains, Norway, and back home, capturing a poetic sense of place and passage. 

Laurie Van Wieren, a Chicago native with Swedish roots, moved to Minneapolis and became a prominent figure in the local dance and art scene. For this exhibition, Laurie choreographed and directed a dynamic, movement-based interpretation of Ann Wolff’s works and themes through performances by a local dance ensemble.

Responding to Ann Wolff’s sculptures and drawings, as well as the concept of self-identity, Laurie’s choreography begins with what seems deceptively simple—steps, stillness, and gestures. These elements gradually unravel into something deeply intimate and questioning. For this residency, Laurie Van Wieren has brought together a cast of local, intergenerational dancers: Dexter Carlson, Judith Howard, Margaret Ogas, Alys Ayumi Ogura, Judee Shui Xian, and Jinza Thayer.

Through Laurie’s creative vision and direction, this exceptional collective of artists has created solo and ensemble dances inspired by themes of self-portraiture, aging, personal history, and the current world. Through weeks of rehearsals and micro-performances within the Turnblad Mansion—a space layered with time, stories, and presence—they have explored the intersections of identity and time.

Dance Ensemble

This exhibition will also feature a dynamic, movement-based interpretation of Ann Wolff’s works and themes through performances by a local dance ensemble, choreographed and directed by interdisciplinary artist Laurie Van Wieren.

Performances

The residency concludes with a dynamic full-length performance at ASI on May 24 at 7 pm. Visit the Last Look for more information and tickets.

Meet & Greet with Performers 

The community is also warmly invited to join the ensemble in exploration of self-portraits and movement on select Thursday evenings in the exhibition galleries, included with museum admission. All meet & greet activations are from 6–8 pm on these dates:

March 13
March 17
April 10
April 24
May 8

Exhibition Supporters

Ann Wolf: The Art of Living is hosted by the American Swedish Institute with support from the Barbro Osher Pro Suecia Foundation and ASI’s members and donors. The exhibition’s media partner is the Minnesota Public Radio (MPR). Minnesota artist activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.   

Logo with colorful vertical stripes showing nature and arts symbols, including reeds, a musical note, trees, and water. Text reads Clean Water Land & Legacy Minnesota Amendment State Arts Board in various colors.
Minneapolis Public Radio logo for sponsorship